Gendered bodies on Soviet posters, 1917-1924. The visual representation of backwardness

  • In this essay, I explore the visual representation of that backwardness. For revolutionaries of all stripes, a core value in the revolution was overcoming Russia’s backwardness. In Russian it literally meant “lagging behind” [otstalost], but it had a wide compass to include illiteracy, superstition, drunkenness, syphilis, lack of culture, and lack of political engagement. I ask how early Soviet artists conveyed this backwardness – especially as synonymous not only with ignorance, but also with “darkness” and a lack of revolutionary consciousness. How did they compose posters for the masses in those early years of Soviet power, especially during the extensive civil and national wars of 1917-1921? How and why was gender such an important part of that visual imagery?

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Metadaten
Author:Elizabeth A. WoodGND
URN:urn:nbn:de:101:1-2511250056430.318187379205
URL:https://visual-history.de/2025/10/20/wood-gendered-bodies-on-soviet-posters-1917-1924/
DOI:https://doi.org/10.14765/zzf.dok-2953
Publisher:ZZF - Leibniz Centre for Contemporary History: Visual-History
Place of publication:Potsdam
Document Type:Online Publication
Language:English
Date of first Publication:2025/10/20
Release Date:2025/11/17
Dewey Decimal Classification:7 Künste und Unterhaltung / 74 Zeichnung, angewandte Kunst / 740 Zeichnung, angewandte Kunst
ZZF Topic-Classification:Gesellschaftsgeschichte
Staatssozialismus
Gender Studies
ZZF Chronological-Classification:1920er
1910er
ZZF Regional-Classification:Europa / Osteuropa / UdSSR/Russland
Web-Publications:Visual-History
(Theme) dossier(s):Visual History / Putting images to work – gender and the visual archive
Licence (German):License LogoCreative Commons - Namensnennung-Nicht kommerziell-Keine Bearbeitungen (CC BY-NC-ND 4.0)