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The article traces the collective term “living history” in its various definitions, forms and manifestations, offering an overview of this widespread phenomenon. It will consider developments in the United States and Europe, as well as taking a look at historical precursors of present-day forms. Whereas living history in the Anglo-American world has long been a well-established part of the educational and cultural work of museums, in Germany there is still a great deal of skepticism towards this form of historical representation. Finally, it asks how the fields of history and cultural studies might best engage with living history and which theoretical approaches exist for investigating and analyzing living history.
How are people made into subjects, and how do they make themselves into subjects? - asks Wiebke Wiede and presents in the article the most important theoretical approaches to the functioning of "subjectification" in the 20th century. Subjects constitute themselves in historical space and are subject to institutional structures and subject definitions that are historically contingent. Accordingly, the cultural orientation needs of our present are also reflected in subject theories.
Youth Organizations
(2019)
Hitler Youth, Komsomol, Boy Scouts – no grand narrative of the twentieth century can ignore these youth leagues and their millions of members. For some these organizations meant fun and games or adventure, for others rigid hierarchies and political indoctrination. These stereotypes notwithstanding, historians have nevertheless succeeded in painting a nuanced picture of this pedagogical innovation. This contribution outlines the key developments in scholarly debate and shows how addressing youth organizations can benefit core working areas of contemporary history.
Moderne (english version)
(2018)
The word Moderne (modernity) has been a staple of many disciplines ever since the 1980s, though previously restricted almost exclusively to the fields of aesthetics and literary criticism (and referred to here in English as “modernism”). The term can have a variety of meanings, however, depending on its context.
Heimat (english version)
(2018)
The concept of Heimat can be used in conjunction with many phenomena and sometimes seems to have a precise definition. The very vagueness of the concept bespeaks its emotional aspect, one that makes it rather appealing for a wide range of marketing and propaganda purposes. Heimat denotes a local identification that is not exclusive of other identifications, whether regional, national or transnational institutions, ideologies or religious communities. The Article will address the concept and its varied meanings and it will also examine the fundamental relationship between individuals with respect to their social and geographic spaces.
(Version 2.0, siehe auch Version 1.0) The field of Migration History looks at both ends of human mobility and the complex and diverse processes of migration. In her article Barbara Lüthi defines human migration, which can be either international or internal, and gives a short overview of the history of migration in the 20th century. After a discussion of the approaches and perspectives on the research field Lüthi closes with an examination of the current topics in Migration History: refugees and so-called illegal migrants.
This article will first examine the emergence of Italian Fascism and provide insight into Italian Fascists’ self-perception. Second, taking the contemporary conceptualizations of fascism developed by its Marxist, liberal, and conservative opponents as a starting point, this article reviews research on fascism during the Cold War. Third, the approaches taken by more recent research on fascism will be discussed and a survey of current fields of empirical work will be presented. A concluding section summarizes the usefulness of the concept of fascism.
By expanding historical image research, visual history has in the recent past established itself as a field of research in late modern and contemporary history, which considers images in a wider sense both as sources as well as independent artifacts of historiographical research and likewise looks at the visuality of history and the historicity of the visual. Its exponents advocate understanding images beyond their pictorialness as a medium and as an activity with an independent aesthetic that condition the way of seeing things, shape perceptual patterns, convey interpretations, that organize the aesthetic relationship of historic subjects to their social and political reality and which are able to generate own realities.
Environmental history is the history of the changing mutual relationship between humankind and nature. The various, more or less concrete attempts to define this area of historical study can be reduced to this basic common denominator. Though the notion of man and nature's mutual dependence may sound pithy at first, it's a rather fuzzy one upon closer inspection. Melanie Arndt describes this field of research in all its facets – because the valuable contribution of environmental history as a „subdiscipline” deserves much greater recognition from the outside world and from scholars working in other disciplines.