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Nizar Sabour. Places and Memories, War and Love

  • Art moves away from reality and invents something that maybe ultimately more accurate about the world than what a photograph can depict. - Howard Zinn, Artists in Times of War, 2007 // In times of wars and conflicts, the words of Zinn have a deeper meaning. Through art visual dimensions and aspects can be explored that are often missing from written reports or captured snapshots. This can be an image documentation or a reminder of how war shapes lives and places. In his set of etchings and triptych Der Krieg, the German artist and WWI veteran Otto Dix showed firsthand hellish visualizations of the horror he experienced as a front soldier. In response to the bombing of the Basque city of Guernica during the Spanish Civil War, Pablo Picasso created a masterpiece – and perhaps his most famous work ever: Guernica (1937) was regarded by many art critics as one of the most moving and powerful artistic anti-war statements in history.

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Metadaten
Verfasserangaben:Zeina ElcheikhGND
URL:https://www.visual-history.de/2019/10/05/nizar-sabour/
DOI:https://doi.org/10.14765/zzf.dok-1706
Verlag:ZZF - Centre for Contemporary History: Visual History
Verlagsort:Potsdam
Dokumentart:Online-Publikation
Sprache:Englisch
Datum der Erstveröffentlichung:05.10.2019
Datum der Freischaltung:08.10.2019
ZZF-Zeitklassifikation:ohne epochalen Schwerpunkt
ZZF-Themenklassifikation:unklar
ZZF-Regionalklassifikation:Asien / Vorderasien / Golfregion
Online-Portale:Visual-History
Lizenz (Deutsch):License LogoZZF - Clio Lizenz